Bestseller Collection 2023 - 2024: October

1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite…an appetite they say tortures him still.
Born in an impoverished village to a widowed young mother, Tarare was once overflowing with quiet affection: for the Baby Jesus and the many Saints, for his mother, for the plants and little creatures in the woods and fields around their house. He spends his days alone, observing the delicate charms of the countryside. But his world is not a gentle one—and soon, life as he knew it is violently upended. Tarare is pitched down a chaotic path through revolutionary France, left to the mercy of strangers, and increasingly, bottomlessly, ravenous. This exhilarating, disquieting novel paints a richly imagined life for The Great Tarare, The Glutton of Lyon in 18th-century France: a world of desire, hunger and poverty; hope, chaos and survival. As in her cult hit The Manningtree Witches, Blakemore showcases her stunning lyricism and deep compassion for characters pushed to the edge of society in The Glutton, her most unputdownable work yet.

Rowan is stuck. Her dream of becoming a Hollywood screenwriter is stalled, and so she and her novelist fiancé, Seth, retreat to an isolated cabin in the Adirondacks to hopefully get out of their creative ruts. There, Rowan finds herself drawn into a mysterious and unsettling story—that of socialite-turned-feminist-crusader Eddie Callaway, who vanished in these same woods the summer of 1975 and was never heard from again. A handbook found in the abandoned ruins of the Callaway camp gives Rowan glimpses into who Eddie was, and then a fateful discovery offers clues about what might have happened to her. Soon, Rowan finds herself with a story potentially more shocking than Eddie’s notes about sun salutations and pineapple upside-down cake would indicate. As Rowan learns more about the enigmatic Eddie, who got a second chance at life after a profound loss, she discovers the camp leader’s greatest wish: to help other women unlock their true, though long-repressed, “wildness.” However, Eddie’s methods and wild ways weren’t welcomed by all, and rifts between the camp owners threatened her mission, perhaps perilously. As Rowan draws closer to the truth of Eddie’s unsolved disappearance, she realizes that the past may hold two keys: one that reveals what really happened to Eddie Callaway, and another that unlocks a future beyond her wildest imagination.

For Balthazar and his family of thieves, stealing a statue during the annual celebration of the god Karanis was just a good bit of fun…or a way to stick it to the governor who murdered his parents. And yeah, the small fortune in reward doesn’t hurt—even if his boss also hired the mysterious Queen of Days to join the crew as “the weapon of last resort...”
Whatever that means. But Bal doesn’t know the ceremony isn’t simply empty words and dusty tradition; it’s true magic. The kind of magic that rips open a portal for the god himself. Only the idol that Karanis planned on using for a body now lies broken at the Queen of Days’ feet. And half of it is missing. With the aid of a lovable brawler, a society lady turned bomb maker, a disgraced soldier, and a time-eating demon, Bal must hunt down the missing half of the statue if he has any hope of earning his money, keeping his crew alive…and perhaps even saving all of humanity. But as his journey sends him racing through the city—and across realities—he discovers that doing all this might just doom the city. The city be damned. It’s time to kill a god.

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come.
In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.

The single greatest work of art in the world is not in the Louvre or The Met, or in any private collection. In fact, its whereabouts are unknown. Once in a long while, a child is born possessing the rarest of gifts, the innate ability to feel impossible beauty, to recognize priceless works of art. When such a child is discovered, a 250-year-old secret organization called Our World trains them to acquire the greatest works of art through theft, bribery, forgery, and even murder. Once found, the masterpiece will disappear again without anyone ever knowing it surfaced and sold for billions of dollars of profit at a secret auction attended by only the wealthiest of the art world’s patrons. One of Our World’s rare geniuses is Zhivago. He is also a psychopathic killer. On his trail is Hunter, a man who will stop at nothing to destroy the organization and save his daughter from suffering the same fate her mother did at its hands.

In the wake of his parents’ tragic deaths in a house fire, fourteen-year-old Richard Elauved has been sent to live with his aunt and uncle in the remote, insular town of Ballantyne. Richard quickly earns a reputation as an outcast, and when a classmate named Tom goes missing, everyone suspects the new, angry boy is responsible for his disappearance. No one believes him when he says the telephone booth out by the edge of the woods sucked Tom into the receiver like something out of a horror movie. No one, that is, except Karen, a beguiling fellow outsider who encourages Richard to pursue clues the police refuse to investigate. He traces the number that Tom prank-called from the phone booth to an abandoned house in the Mirror Forest. There he catches a glimpse of a terrifying face in the window. And then the voices begin to whisper in his ear . . .
She’s going to burn. The girl you love is going to burn. There’s nothing you can do about it.
When another classmate disappears, Richard must find a way to prove his innocence—and preserve his sanity—as he grapples with the dark magic that is possessing Ballantyne and pursuing his destruction. Then again, Richard may not be the most reliable narrator of his own story . . .

San Francisco, 1952. Detective Evander “Andy” Mills has started a new life for himself as a private detective—but his business hasn’t exactly taken off. It turns out that word spreads fast when you have a bad reputation, and no one in the queer community trusts him enough to ask an ex-cop for help. When James, an old flame from the war who had mysteriously disappeared, arrives in his offices above the Ruby, Andy wants to kick him out. But the job seems to be a simple case of blackmail, and Andy’s debts are piling up. He agrees to investigate, despite everything it stirs up.
The case will take him back to the shadowy, closeted world of the Navy, and then out into the gay bars of the city, where the past rises up to meet him, like the swell of the ocean under a warship. Missing people, violent strangers, and scandalous photos that could destroy lives are a whirlpool around him, and Andy better make sense of it all before someone pulls him under for good.

In this exuberant retelling of Jane Austen’s Pride and Prejudice, Lydia Bennet puts pen to paper to relate the real events and aftermath of the classic story. Some facts are well known: Mrs. Bennet suffers from her nerves, Mr. Bennet suffers from Mrs. Bennet, and all five daughters suffer from an estate that is entailed only to male heirs.
But Lydia also suffers from entirely different concerns: her best-loved sister Kitty is really a barn cat; Wickham is every bit as wicked as the world believes him to be, but what else would one expect from a demon? And if Mr. Darcy is uptight about etiquette, that’s nothing compared to his feelings about magic. Most of all, Lydia has yet to learn that for a witch, promises have power . . .

Ginger. Honey. Cinnamon. Flour.
Twenty years after the witch in the gingerbread house, Greta and Hans are struggling to get by. Their mother and stepmother are long dead, Hans is deeply in debt from gambling, and the countryside lies in ruin, its people starving in the aftermath of a brutal war. Greta has a secret, though: the witch's grimoire, hidden away and whispering in Greta's ear for the past two decades, and the recipe inside that makes the best gingerbread you've ever tasted. As long as she can bake, Greta can keep her small family afloat.
But in a village full of superstition, Greta and her mysteriously addictive gingerbread, not to mention the rumors about her childhood misadventures, is a source of gossip and suspicion. And now, dark magic is returning to the woods and Greta's magic—magic she is still trying to understand—may be the only thing that can save her. If it doesn't kill her first.

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with spirits: of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation. From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

In the small mountain town of Jasper, North Carolina, June Farrow is waiting for fate to find her. The Farrow women are known for their thriving flower farm—and the mysterious curse that has plagued their family line. The whole town remembers the madness that led to Susanna Farrow’s disappearance, leaving June to be raised by her grandmother and haunted by rumors. It’s been a year since June started seeing and hearing things that weren’t there. Faint wind chimes, a voice calling her name, and a mysterious door appearing out of nowhere—the signs of what June always knew was coming. But June is determined to end the curse once and for all, even if she must sacrifice finding love and having a family of her own. After her grandmother’s death, June discovers a series of cryptic clues regarding her mother’s decades-old disappearance, except they only lead to more questions. But could the door she once assumed was a hallucination be the answer she’s been searching for? The next time it appears, June realizes she can touch it and walk past the threshold. And when she does, she embarks on a journey that will not only change both the past and the future, but also uncover the lingering mysteries of her small town and entangle her heart in an epic star-crossed love.

In the vibrant city-state of Castellane, the richest of nobles and the most debauched of criminals have one thing in common: the constant search for wealth, power, and the next hedonistic thrill. Kel is an orphan, stolen from the life he knew to become the Sword Catcher—the body double of a royal heir, Prince Conor Aurelian. He has been raised alongside the prince, trained in every aspect of combat and statecraft. He and Conor are as close as brothers, but Kel knows that his destiny is to die for Conor. No other future is possible. Lin Caster is one of the Ashkar, a small community whose members still possess magical abilities. By law, they must live behind walls within the city, but Lin, a physician, ventures out to tend to the sick and dying of Castellane. Despite her skills, she cannot heal her best friend without access to forbidden knowledge. After a failed assassination attempt brings Lin and Kel together, they are drawn into the web of the mysterious Ragpicker King, the criminal ruler of Castellane’s underworld. He offers them each what they want most; but as they descend into his world of intrigue and shadow, they discover a conspiracy of corruption that reaches from the darkest gutters of Castellane to the highest tower of its palaces. As long-kept secrets begin to unravel, they must ask themselves: Is knowledge worth the price of betrayal? Can forbidden love bring down a kingdom? And will their discoveries plunge their nation into war—and the world into chaos?

Sasha has had it. She cannot bring herself to respond to another inane, “urgent” (but obviously not at all urgent) email or participate in the corporate employee joyfulness program. She hasn’t seen her friends in months. Sex? Seems like a lot of effort. Even cooking dinner takes far too much planning. Sasha has hit a wall. Armed with good intentions to drink kale smoothies, try yoga, and find peace, she heads to the seaside resort she loved as a child. But it’s the off season, the hotel is in a dilapidated shambles, and she has to share the beach with the only other occupant: a grumpy guy named Finn, who seems as stressed as Sasha. How can she commune with nature when he’s sitting on her favorite rock, watching her? Nor can they agree on how best to alleviate their burnout (Sasha: manifesting, wild swimming; Finn: drinking whisky, getting pizza delivered to the beach). When curious messages, seemingly addressed to Sasha and Finn, begin to appear on the beach, the two are forced to talk—about everything. How did they get so burned out? Can either of them remember something they used to love? (Answer: surfing!) And the question they try and fail to ignore: what does the energy between them—flaring even in the face of their bone-deep exhaustion—signify?

The Prince of Envy has never claimed to be a saint. But when a cryptic note arrives, signaling the beginning of a deadly game, he knows it will take more than a hint of sin to win and save his falling demon court. Riddles, hexed objects, anonymous players, nothing will stand in his way, though none of his meticulous plans prepare him for her, the frustrating artist who ignites his sin like no other…
Virtuous. Darling. Liar.
The trouble with scoundrels and blackguards is that they haven’t a modicum of honor, a fact Miss Camilla Antonius learns after one desperate mistake allows Waverly Green’s most notorious rake to blackmail her. To avoid a ruinous scandal, Camilla is forced to enter a devil’s bargain with Envy, little expecting his game will awaken her true nature . . .
Together, Envy and Camilla must embark on a perilous journey through the Underworld—from glittering demon courts to the sultry vampire realm and beyond—while trying to avoid the most dangerous trap of all: falling in love.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.
Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

For fans of Verity and A Flicker in the Dark, Midnight is the Darkest Hour is a twisted tale of murder, obsessive love, and the beastly urges that lie dormant within us all...even the God-fearing folk of Bottom Springs, Louisiana. In her small hometown, librarian Ruth Cornier has always felt like an outsider, even as her beloved father rains fire-and-brimstone warnings from the pulpit at Holy Fire Baptist. Unfortunately for Ruth, the only things the townspeople fear more than the God and the Devil are the myths that haunt the area, like the story of the Low Man, a vampiric figure said to steal into sinners' bedrooms and kill them on moonless nights. When a skull is found deep in the swamp next to mysterious carved symbols, Bottom Springs is thrown into uproar—and Ruth realizes only she and Everett, an old friend with a dark past, have the power to comb the town's secret underbelly in search of true evil. A dark and powerful novel like fans have come to expect from Ashley Winstead, Midnight is the Darkest Hour is an examination of the ways we've come to expect love, religion, and stories to save us, the lengths we have to go to in order to take back power, and the monstrous work of being a girl in this world.